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ONE MAN'S VIEW

On Thursday each week my column appears in the Euro Weekly News. My opinion is just that, an opinion. Feel free to put your oar in but in a constructive way if you please. Thanks so much. - Michael

A CLASSICAL LIFE (A Musical Soliloquy)
Saturday, September 24, 2011 @ 9:11 PM

In a moment of whimsy it occurred to me that music, in its European form, can offer a feast of quality music that reflects life from womb to tomb. This list of suggestions is subjective. But, if it inspires you to explore, understand and appreciate the finest music spanning the most gifted musicians over centuries, then please feel free to you tube or purchase any of the following introductions to the world of classical music. Think of each track as a sublime glass of aphrodisiacal wine; I think you will return again and again. - Michael
 
A CLASSICAL LIFE   (A Musical Soliloquy)

The dawn of my life (Ravel; Daphnis et Chloe) found its sunrise in my meeting you (Puccini; They Call me Mimi) upon which my spirit soared to new heights. (Wagner; Tristan and Isolde, der Liebestod). Those early carefree days (Johann Strauss; The Blue Danube) brought a serene tranquillity to my life. (Beethoven; Moonlight Sonata Adagio)

 I cannot reminisce about our first summer together without recalling our lovely walks through river vales and meadows (Beethoven; 6th Symphony. Pastoral). Do you recall how peaceful it was (Debussy; Prelude a l'Apres midi D'un) and remember the unbroken bird song (Delius; On Hearing the First Cuckoo of Spring).
 
Our lives then were not totally Bohemian. (Smetana; Muy Vlast). We did have our careers to concentrate on (Johann Strauss; Perpetual Mobile) but we could always find time to relax and listen to Mozart's Concerto for Flute, Andantino. I remember the countryside was so incredibly green, the cornfields gloriously yellow (Vaughan Williams; The Lark Ascending). 
 
It must be as beautiful in other countries too. I often wished that you and I could travel (Albeniz; Espana / Respighi; The Pines of Rome), discover new worlds for ourselves and enjoy life to its limits (Offenbach; Gaite Parisiene); or even get a feel for adventure (Borodin; Steppes of Central Asia / Sibelius Finlandia) and visit Moscow (Mussorgsky; Dawn on the Moscow River).
 
There was no denying the intensity of my feelings for you and our special romance (Chopin; Piano Concerto.1 / Elgar Serenade for Strings) brought such harmony to our lives; almost as the violin complements the piano (Beethoven Piano Concerto, No.2 adagio or Beethoven’s Spring Sonata).
 
True love never runs smoothly and misunderstandings brought the occasional thunder clouds (Beethoven; 5th Symphony) and the passion of my once losing you (Puccini; Madame Butterfly Love Duet) brought unbearable heartache (Mahler; Fifth Symphony Adagio).
 
Happily fate intervened and we were soon together again soon which made my heart as light as a mandolin (Vivaldi; Various Concertos). 
 
From there on my life was again filled with excitement and anticipation. (Ravel; Bolero). I felt as though spring had returned (Robert Stolz; Village Swallows in Austria) and life was full of delightful pleasures again (Verdi La Traviata; Let's Drink).
 
My darling, you brought such contentment to my life (Recuerdos de la Alhambra). I was always so very happy with you. (Chabrier; Espana / Josef Strauss; Off on Holiday).
 
Yes, I was so much at peace with both myself and the world (Chopin; Raindrop Prelude / Debussy; Perfumes of the Night). Ah, the mellow lateness of each evening (Mozart; Clarinet Concerto / Rodrigo; Concierto de Aranjeuz / Weber; Clarinet and Strings). We would enjoy a glass of wine together while we listened to John Field's piano nocturnes before retiring.
 
It was while I would lie waiting for sleep to wrap its dreams around me that I remembered those lovely nights that we spent at Santora in Spain (Siene en la Florista/Carulli; Duo in G. Op.34).
 
So much for the memories and when Christmas was drawing near (Stille Nacht, Heilige Nacht). I could hardly wait for the first snow to fall (The Skaters Waltz). I used to think how wonderful it would be to be in Germany with you for Christmas and New Year's Eve (The Bells of Aachen and Regensburg).
 
With the nights closing in the children seemed to be around more often and I loved frightening them with stories about trolls in the forest (Grieg; In The Hall of the Mountain King), the witches sabbath (Mussorgsky; The Night on Bare Mountain) and magic (Dukas; The Sorcerer's Apprentice).
 
I remember young Peter, always the soldier, marching up and down the room (Charles Gounod; The Soldiers Chorus). He had just been telling us about a Swiss adventure story (Rossini; William Tell Overture). 
 
You may not remember. You had retreated to the back of the lounge (Pavaroti; Torna a Surriento); to dreamily think about our holidays no doubt.
 
We always had the last dance together (Weber; Invitation to the Dance), and the night I proposed to you as we listened to Mozart's Piano Concerto, No.21 followed by Martucci's Nocturne when driving home?
 
I am still very much at peace with the world (Beethoven 9th symphony; Adagio) and I am as in love with you as ever (Elgar; Salut d'Amour). Life since has been so wonderful (Schubert; Trout Quintet) and contented (Saint-Saens; The Swan).
 
But, time has marched on and I find myself thinking more and more of those lovely days when we were younger. (Butterworth; the Banks of Green Willow / Delius; the Walk in the Paradise Garden).
 
Now, in the sunset of our lives I am more contemplative about the future (Sibelius; The Swan of Tuonela / Richard Strauss; Death and Transfiguration) and wonder how long it will be before I am just as reflective about Faure's Requiem Michael Walsh ©


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